Biore Hard Day's Night Overnight Moisturizer - 1.7 oz

• Hard Day's Night Overnight Moisturizer
• Hydrate And Strenghten
• Alleviate Dryness And Dullness
• Botanamide Technology And Vitamin E.

In 1964, the Beatles had just recently exploded onto the American scene with their debut on "The Ed Sullivan Show." The group's first feature, the Academy Award-nominated "A Hard Day's Night," offered fans their first peek into a day in the life of the Beatles and served to establish the Fab Four on the silver screen, as well as to inspire the music video format. Songs: I'll Cry Instead, A Hard Day's Night, I Should've Known Better, Can't Buy Me Love, If I Fell, And I Love Her, I'm Happy Just to Dance with You, Ringo's Theme (This Boy), Tell Me Why, Don't Bother Me, I Wanna Be Your Man, All My Lovin', She Loves You.The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expecte! d A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time"). Wisely, screenwriter Alun Owen based his script on the Beatles' actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air. Some of the songs are straightforwardly presented, but others ("Can't Buy Me Love," set to t! he foursome gamboling around an empty field) soar with ingenui! ty. Abov e all, the Beatles express their irresistible personalities: droll, deadpan, infectiously cheeky. Better examples of pure cinematic joy are few and far between. --Robert HortonHydrates and strengthens all night to alleviate dryness and dullness- with Botanamide technology and Vitamin E

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Art School Confidential (2005) DVD Widescreen

• DVD
• Widescreen
• Subtitled English, French, Spanish, Portuguese, Chinese
• Dolby Digital

"Art School Confidential" follows talented young artist Jerome Platz (Max Minghella) as he escapes from high school to a tiny East Coast art school. Here the boyish freshman's ambition is to become the world's greatest artist, like his hero Picasso. Unfortunately, the beauty and craft of Jerome's portraiture are not appreciated in an anything-goes art class. Neither his harsh judgments of his classmates' efforts nor his later attempts to create pseudo-art of his own win him any admirers. But Jerome does attract the attentions of his dream girl, the stunning and sophisticated Audrey (Sophia Myles), an artist's model and daughter of a celebrated artist. Rejecting the affectations of the local art scene, Audrey is drawn to Jerome's sincerity. When Audrey shifts her attention to Jonah (M! att Keeslar), a hunky painter who becomes the school's latest art star, Jerome is heartbroken. Desperate, he concocts a risky plan to make a name for himself and win her back.Bitter, misanthropic, yet sometimes blisteringly funny, Art School Confidential is not a movie for everyone. Jerome (Max Minghella, Bee Season) goes to art school in the hopes of having his genuine ability recognized and cherished--but instead, finds his teachers to be self-obsessed has-beens, his peers jaded and floundering, and himself being investigated for a series of gruesome stranglings. He becomes obsessed with a lovely student named Audrey (Sophia Myles, Tristan and Isolde), but she's more interested in hunky Jonah (Matt Keeslar, Splendor), whose crude yet acclaimed paintings of cars and tanks make Jerome want to tear his own eyes out. The crime-thriller plot of Art School Confidential, however, is merely a contrivance to string together a series of caustic di! gs at the shallow, narcissistic, talentless hacks who go to ar! t school in the vain hope of achieving fame, wealth, and sexual abundance with little or no effort. For most viewers, who want to think that people are largely well-intentioned and decent, this will seem snide and cruel; but for some viewers, who believe people are foolish and blinkered, Art School Confidential will seem like an oasis in the arid desert of lies and propaganda about the good side of human nature. If this is your movie, you know who you are, and I encourage you to seek it out as soon as possible. Directed by Terry Zwigoff (Bad Santa) and based on the work of cartoonist Dan Clowes; their previous collaboration was the much warmer Ghost World. Also featuring sharp turns from John Malkovich (Being John Malkovich), Anjelica Huston (Prizzi's Honor), and Jim Broadbent (Moulin Rouge!). --Bret Fetzer

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David Jones Fur Satchel Handbag (Brown)

• Handle drop: 3". Body of bag: 12.5" L x 12" H x 3" W.
• Made from textured leatherette with brass-tone hardware and faux fur trim.
• Back zip wall pocket for easy access. Single carrying handle and detachable shoulder strap.
• Turn lock closure. Roomy fully lined double fabric compartment separated by a zip top pocket.
• Interior zip wall pocket, cell and sunglass slip pouches.

Made from textured leatherette with brass-tone hardware and faux fur trim. Back zip wall pocket for easy access. Single carrying handle and detachable shoulder strap. Turn lock closure. Roomy fully lined double fabric compartment separated by a zip top pocket. Interior zip wall pocket, cell and sunglass slip pouches. Handle drop: 3". Body of bag: 12.5" L x 12" H x 3" W. BEFORE PURCHASING, PLEASE COMPARE THE SIZE OF THIS HANDBAG TO ONE OF YOUR OWN FAVORITE BAGS.

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Explicit Ills - Blu Ray [Blu-ray]

• EXPLICIT ILLS BLU-RAY (BLU-RAY DISC)

In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.

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The Darkness

• Use manifestations of the Darkness to devour, impale or implode your enemies
• Summon and command an army of Darklings - impish and hilarious demonites that commit unspeakable acts
• Use the absence of light strategically - shadows feed the Darkness so seek the shadows wherever possible
• Fight your way through the dark and seedy underbelly of New York City, as well as theethereal realm of the Darkness
• Play as Darklings in online multiplayer games

The Darkness PS3On his 21st birthday, the awesome and terrible powers of the Darkness awaken within Jackie Estacado, a mafia hitman for the Franchetti crime family. With his new powers, Jackie is able to wreak terrifying havoc on his enemies. Jackie must learn to fully command the Darkness so he can take back control of the Franchetti family, which is ruled by his uncle Paulie, a despicable man who is almost universally des! pised.

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(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 24.00 by 36.00 inches (60.96 by 91.44 cms)

Ever since homicidal maniac Jason Voorhees got trapped in chains at the bottom of Crystal Lake, the nearby summer camp has operated without a hitch . . . without a murder. But one of this season's happy campers has brought along a deadly secret.

Tina Shepherd can see the future and levitate objects. Her doctor knows just how dangerous telekinesis can be, but he's out to exploit her, not help her. And now it's too late. Tina has accidentally unchained Jason from his watery grave, and the bloodbath is underway.

Tina's special powers are her only hope for survival. But what chance does a teenage girl have against an axe-wielding maniac?A philosophical quandary: when we tru! ly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonFriday the 13th
The film takes place years after a young boy named Jason drowns! in a lake while attending Camp Crystal Lake and shortly there! after, t he camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person.

Friday the 13th, Part 2
The second installment picks up with Jason Voorhees, presumed dead from drowning years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graphic murder of his mother and decides to wreak havoc on everyone at the camp - killing each camp counselor one by one.

Friday the 13th, Part 3
Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Adorned with his trad! emark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker.

Friday the 13th, Part IV: The Final Chapter
Jason resurfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring a young Corey Feldman as Tommy Jarvis, it seems Jason has finally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise.

Friday the 13th, Part V: A New Beginning
With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary.

F! riday the 13th, Part VI: Jason Lives
Tommy ! returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin.

Friday the 13th, Part VII: The New Blood
The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Crystal Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commentary by Kane Hodder and director John Carl Buechler and Part VIII features commentary by director Tom McLoughlin.

Friday the 13th, Part VIII: Jason Takes Manhattan
A graduating class of a local high school vacation on a cruis! e ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fighting for her their lives, Rennie and the other survivors must make sure Jason dies once and for all.

A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and footage is revealed for the first time. An 8-part featurette "The Friday The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, Tom McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gore," which looks at ! the work of master make-up effects designer Tom Savini in Part! 1 and P art IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and crew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at props and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless resurrections of Jason Voorhees, from the original 1980 film to Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the deluxe treatment for! a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.

You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shock, Part 2 is a dismal retread, and Part 3 actually features interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy opponent (Crystal Lake's ! answer to telekinetic Carrie), but the result is the same. Par! t 8's su btitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.

Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and various actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of watching a bunch of this stuff together is a little dispiriting. --Robert HortonWhat chance does a teenage girl have against a maniacal maniac with a machete? Pack your bags and return to Crystal Lak! e to find out for yourself . . . if you dare! In Friday the 13th Part VII: The New Blood - Deluxe Edition, young Tina Shepard possesses the gift of telekinesis, allowing her to move things and see the future, using the power of her mind. But when a devious doctor tries to exploit her ability, the gift becomes a hellish curse. Tina unwittingly unchains the merciless, bloodthirsty Jason Voorhees from his watery grave, igniting a bloodbath that ends in the ultimate showdown in strength of mind versus pure evil matter. Experience the legacy of unrelenting terror that never dies!

Special Features: Killer Commentary by director John Carl Buechler and actors Lar Park Lincoln and Kane Hodder
Jason's Destroyer: The Making of Friday the 13th Part VII - The New Blood
Mind Over Matter: The Truth about Telekinesis
Slashed Scenes Intro
Slashed Scenes
Makeover by Maddy: Need a Little Touch-Up Work, My A**A philosophical quandary: ! when we truly get a glimpse behind the mask, do we like what w! e see? T his eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonA philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Fri! day the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert Horton(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

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Asylum

• When Dr. Martin (Robert Powell) arrives at the Dunmoor Asylum for The Incurably Insane, he expects to be interviewed for a job by the asylum s director, Dr. Starr. Instead, he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr has suffered a mental breakdown and is now one of the patients. Dr. Rutherford states that if Martin can deduce which patient is Dr. Starr, then he will b

Tucked away in Sofie’s wintery asylum with no hope of release for years, Evangeline must come to terms with her situation: the curse still plagues her, she’s now hunted by a two thousand-year-old vampire, and the guy she’s in love with tried to kill her. Plus, she’s locked up with a cranky Max and the Forero kidsâ€"two people everyone seems to prefer dead over alive. Things aren’t looking good.

Meanwhile, back in Manhattan, Sofie struggles to keep forty trapped and bloodthirsty ! Ratheus vampires at bay and a desperate Viggo from killing Evangeline’s friends, all while hints stir outside the walls of the NYC vampire asylum of a war brewing between the Sentinel and the witches.

Is there any hope for Evangeline and Caden? Can Sofie control the rival powers? Is the fate of Earth predestined? Find out in Book 2 of the Causal Enchantment series, a sequel to ANATHEMA.Tucked away in Sofie’s wintery asylum with no hope of release for years, Evangeline must come to terms with her situation: the curse still plagues her, she’s now hunted by a two thousand-year-old vampire, and the guy she’s in love with tried to kill her. Plus, she’s locked up with a cranky Max and the Forero kidsâ€"two people everyone seems to prefer dead over alive. Things aren’t looking good.

Meanwhile, back in Manhattan, Sofie struggles to keep forty trapped and bloodthirsty Ratheus vampires at bay and a desperate Viggo from killing Evangeline’s friends, al! l while hints stir outside the walls of the NYC vampire asylum! of a wa r brewing between the Sentinel and the witches.

Is there any hope for Evangeline and Caden? Can Sofie control the rival powers? Is the fate of Earth predestined? Find out in Book 2 of the Causal Enchantment series, a sequel to ANATHEMA.
Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends.

Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developing relationship with campus hockey hero and floor RA, Seth Maird, trying to be the voice of moderation for Sam, and her new position as teacher's assistant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her! .

But the voices return...and this time, she's not the only one that can hear them.

The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?
Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends.

Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developing relationship with campus hockey hero and floor RA, Seth Maird, trying to be t! he voice of moderation for Sam, and her new position as teache! r's assi stant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her.

But the voices return...and this time, she's not the only one that can hear them.

The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends. Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developin! g relationship with campus hockey hero and floor RA, Seth Maird, trying to be the voice of moderation for Sam, and her new position as teacher's assistant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her. But the voices return...and this time, she's not the only one that can hear them. The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?

Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.

Broadmoor Revealed gives the reader a glimpse behind the walls of England’s first Criminal Lunatic Asylum.

Focused on the Victorian period, the book tells the stories of some of the hospital’! s best-known patients. There is Edward Oxford, who shot at Que! en Victo ria, and Richard Dadd, the brilliant artist and murderer of his father. There is also William Chester Minor, the surgeon from America who killed a stranger in London, and then played a key part in creating the world's finest dictionary. Finally, there is Christiana Edmunds, ‘The Chocolate Cream Poisoner’ and frustrated lover.

To these four tales are added new ones, previously unknown. There were five women who went on to become mothers in Broadmoor, giving birth to life when three of them had previously taken it. Then there were the numerous escapes, actual and attempted, as the first doctors tried to assert control over their residents.

These are stories from the edge of where true crime meets mental illness. Broadmoor Revealed recounts what life was like for the criminally insane, over one hundred years ago.
Broadmoor Revealed gives the reader a glimpse behind the walls of England’s first Criminal Lunatic Asylum.

Focused on the Victo! rian period, the book tells the stories of some of the hospital’s best-known patients. There is Edward Oxford, who shot at Queen Victoria, and Richard Dadd, the brilliant artist and murderer of his father. There is also William Chester Minor, the surgeon from America who killed a stranger in London, and then played a key part in creating the world's finest dictionary. Finally, there is Christiana Edmunds, ‘The Chocolate Cream Poisoner’ and frustrated lover.

To these four tales are added new ones, previously unknown. There were five women who went on to become mothers in Broadmoor, giving birth to life when three of them had previously taken it. Then there were the numerous escapes, actual and attempted, as the first doctors tried to assert control over their residents.

These are stories from the edge of where true crime meets mental illness. Broadmoor Revealed recounts what life was like for the criminally insane, over one hundred years ago.
When Dr. ! Martin (Robert Powell) arrives at the Dunsmoor Asylum for the ! incurabl y insane, he expects to be interviewed by asylum director Dr. Starr. Instead he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr had suffered a mental breakdown and now is one of the patients. Dr. Rutherford decides that if Martin can deduce which one is really Dr. Starr, then he will be given the position. Is it Bonnie (Barbara Parkins), whose affair with a married man turns murderous? Is it Bruno (Barry Morse), a hardluck tailor visited by a mysterious stranger (Peter Cushing) with a blueprint and very special fabric for an unusual suit? Is it Barbara (Charlotte Rampling), accused of murdering her brother and her nurse but insisting that her friend Lucy (Britt Ekland) was responsible; Or is it Dr. Byron (Herbert Lom) who claims the ability to transfer collecting.One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stor! ies. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highlighted by dismembered body parts neatly wrapped in butcher paper wriggling back to life for revenge), but Charlotte Rampling and Britt Eklund are marvelous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer will power.

Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cus! hing), and ultimately Baker makes that gloomy look work for hi! s increa singly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker

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Arthur/Arthur 2: On the Rocks

• Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath.

Russell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig! ), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a high-concept Hollywood pitch, remaking the charming Dudley Moore 1981 comic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Rick! y Gervais. But something happened in the 30-year translation t! hat has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand playing another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting fath! er at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drin! king is treated as a genuine problem in this update, which als! o provid es comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, pe! rpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonDudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune…and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award® (1981's B! est Supporting Actor) as Arthur's acerbic valet. "I'll alert t! he media ," he says when Arthur announces his intention to take a bath. The title tune also won Oscar® gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel Arthur 2 on the Rocks. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune?and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award? (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath. The title tune also won Oscar? gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!

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