Thursday, November 17, 2011

Philosophy Birthday Girl, 8.50-Ounce

  • Vanilla birthday cake for the birthday girl
  • Multitasking, 3-in-1 shower gel
  • Highly emollient lip shine
every birthday girl wants cake. give her birthday girl, featuring vanilla birthday cake shampoo, shower gel and bubble bath 8 oz. and vanilla birthday cake lip shine .5 oz. philosophy captured the fresh-baked scent in this extra rich and creamy, 3-in-1 shower gel and very emollient, high-gloss, high-flavor lip shine. she can have her cake and give sweet kisses too!

Holla Horizontal Print Silicone Cap

  • Super stretchy latex free silicone provides optimum fit
  • Quick easy on-and-off won't snag hair
  • Lightweight comfortable performance for competition or fashion
  • Contoured shape reduces drag
  • Bright geometric print that matches back to one of our women's performance swimsuits
HOLLA - DVD MovieHOLLA THE FAMILY HOUR - DVD MovieThe latest edition of this highly acclaimed title introduces the reader to a wide range of spectroscopies, and includes both the background theory and applications to structure determination and chemical analysis.  It covers rotational, vibrational, electronic, photoelectron and Auger spectroscopy, as well as EXAFs and the theory of lasers and laser spectroscopy.
  • A  revised and updated edition of a successful, clearly written book
  • Includes the latest developments in modern laser techniques, such as cavity ring-down spectroscopy and f! emtosecond lasers
  • Provides numerous worked examples, calculations and questions at the end of chapters
This deeply personal motivational book features the anecdotes and reflections of 30 men and women from all walks of life who aim to inspire our next generation of leaders.

Among those included in this dynamic collection are Grammy Award winners India Arie, Kirk Franklin, John Legend, Jill Scott, and Salt of Salt-n-Pepa. In addition Hall of Fame track coach Bev Kearney, boxing champion Bernard Hopkins, and Academy Award winner Mo'Nique offer their wisdom. In these pages they touch on topics such as education, family, sex, parents, overcoming physical disability, violence, mental health and self esteem. The life lessons and experiences within these pages are golden for young men and women trying to find their way in the world.This deeply personal motivational book features the anecdotes and reflections of 30 men and women from all walks of life who aim to ! inspire our next generation of leaders.

Among those in! cluded i n this dynamic collection are Grammy Award winners India Arie, Kirk Franklin, John Legend, Jill Scott, and Salt of Salt-n-Pepa. In addition Hall of Fame track coach Bev Kearney, boxing champion Bernard Hopkins, and Academy Award winner Mo'Nique offer their wisdom. In these pages they touch on topics such as education, family, sex, parents, overcoming physical disability, violence, mental health and self esteem. The life lessons and experiences within these pages are golden for young men and women trying to find their way in the world.The Holla Horizontal Silicone Swim Cap is a great way to show your individuality in the water! In a fun multicolor geometric print, this silicone cap is lightweight, durable, and pulls on and off easily so it won't pull or snag your hair. Look and feel your best as you play, train, or win in Speedo, the choice of champions and the world's #1 swim brand!

Sound Storm Laboratories SX310 2 Way Electronic Crossover with Remote Subwoofer Level Control

  • Independent Front, Rear and Subwoofer Output Level Controls
  • Front High Pass Crossover Variable From 32Hz to 250kHz
  • Rear High Pass Crossover Variable From 40Hz to 400kHz
  • Subwoofer Crossover Variable From 40Hz to 400Hz
  • Remote subwoofer level control
  • (sub out)Stereo/mono switch (subwoofer)
  • Bass boost: variable 0 to +12DB. Bass boost frequency selector: 25Hz to 250Hz. Phase shift switch
  • Frequency multiplier: x1 or x20. Selectable crossover slope: 6. dB/octave or 12 dB/octave.
  • Remote subwoofer level controlParallel input switch (permits feeding multiple Channels from one input)
  • High pass and sub outputs Variable crossover frequencies: High pass: 50Hz to 1.5kHzSubwoofer: 35Hz to 400Hz
  • Output voltage: 8 Volts (max). Signal-to-noise ratio: 110 dB. Dimensions: 8-1/2" (W) x 7-3/8" (L) x 1-5/8" (H)
  • Signal-to-noise ratio: >100! dB Dimensions: 7-1/4" (W) x 7-3/8" (L) x 1 5/8" (H)
  • Slope: 12 dB/octave Remote subwoofer level control Bass boost: variable 0 - +12DB @ 45HzPhase inversion shift switch
  • Stereo/mono switch (subwoofer). Independent front, rear and Subwoofer output level controls. Speaker input level adjustment
SSL crossovers allow you to direct specific frequency ranges to the Sound Storm tweeters, full range speakers, and subwoofers designed to best reproduce those frequencies: Essentially, they tell your tweeters when to tweet and your woofers when to woof! The SX310 is a 3-way electronic crossover with remote subwoofer level control. It features front, rear, and subwoofer inputs as well as independent front, rear, and subwoofer output levels and level controls. Signal-to-noise ratio is >110dB. Other standard features include a parallel input switch that permits feeding multiple channels from one input, phase inversion switch (sub out), stereo/mono switch (sub out)! , and Bass Boost (0 to 12 dB) variable from 25Hz to 250Hz. Cro! ssover f requencies can be selected as follows, front high pass from 32Hz to 250Hz, rear high pass from 40Hz to 400Hz, and subwoofer from 40Hz to 400Hz. For technical questions about this product please visit our website, soundstormlab.com, or call a technician at 888.38.STORM. When it comes to building an impressive and affordable home-quality theater in your vehicle, Sound Storm is your solution. Let us prove to you that everything else is just noise.

Days of Glory / Indigenes (Blu-ray)

  • Days of Glory (Blu-ray)
  • Indigenes blu-ray
  • Days of Glory
  • Jamel Debbouze,Roschdy Zem
  • Sami Bouajila,Samy Naceri
(War/Action) Set during WWII, North African soldiers enlist in the French army and battle their way across Europe to liberate the "fatherland" and confront discrimination.Hype can be a dangerous thing, and the newspaper ads touting Days of Glory (aka Indigenes, French for "Indigenous") as "so powerful it changed the world" are nigh on impossible for any movie to live up to. This one doesn't, but director Rachid Bouchareb's World War II drama still makes for compelling viewing. Confronting the Nazis both in Italy and at home in 1943, the French Army recruits men from Algeria, then a French colony, and other North Africans to help out. Of the film's two principal themes, one, the horrors of war, is nothing new. But the battle scenes are w! ell done; the first major clash, on a bleak Italian hillside, effectively conveys the young Muslims' confusion and abject terror. The second theme is clearly the one that inspired Bouchareb in the first place: the eternal issue of race and discrimination (also explored in 1989's Glory, about black soldiers in the Civil War). Focusing in particular on four Algerians, including Jamel Debbouze as the naïve Saïd and Roschdy Zem as the lovestruck Messaoud, the films depicts how they are denied basics like food, mail delivery, time off, and such, effectively rendering meaningless the French ideal of liberty, equality, and brotherhood. It all culminates in a small town in Alsace, where the four find brief respite before having to face a much larger and better equipped German force (this scene, as well as a final bit in a cemetery, carry heavy echoes of Steven Spielberg's Saving Private Ryan). Bouchareb apparently made Days of Glory at least in part to shame ! the French government into handing over long-frozen pensions t! o surviv ing soldiers and their kin. French president Jacques Chirac finally approved the funds in 2006--apparently after seeing this film. So maybe it did change the world a little after all. --Sam GrahamThe critically acclaimed and Oscar« nominated* war epic Days of Glory (Indigènes) is "a chronicle of courage and sacrificeàtold with power, grace and feeling and brought alive by first-rate acting" (A.O. Scott, The New York Times). Telling the true story of a band of World War II soldiers who heroically fought their way across Europe while battling discrimination within their own ranks, the film was hailed for its "eloquent performances and potent action sequences" (Jan Stuart, Newsday). The Los Angeles Times' Kenneth Turan called it "a North African Saving Private Ryan, a taut, involving film that delivers all the things we look for in war movies."

House of Sand and Fog

  • ISBN13: 9780393338119
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The National Book Award finalist, Oprah Book Club pick, #1 New York Times bestseller and basis for the Oscar-nominated motion picture.

A former colonel in the Iranian Air Force yearns to restore his family's dignity. A recovering alcoholic and addict down on her luck struggles to hold on to the one thing she has left. And her lover, a married cop, is driven to extremes to win her love.

In this masterpiece of American realism and Shakespearean consequence, Andre Dubus III's unforgettable charactersâ€"people with ordinary flaws, looking for a small piece of ground to stand onâ€"careen toward inevitable conflict, their tragedy painting a shockingly true pi! cture of the country we live in today.Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chance! s of making a good marriage. Now the daughter is married, and ! on impu lse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber

Murray Old Fashioned Ginger Snaps, 16-Ounce Packages (Pack of 12)

  • Traditional ginger snap cookies
  • Kosher Dairy
  • Ships in Certified Frustration-Free Packaging
GINGER SNAPS - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte di! sposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker GINGER SNAPS 2:UNLEASHED - DVD MovieGINGER SNAPS BACK:BEGINNING - DVD MovieGinger and Brigitte, two sisters trapped in suburbia, are obsessed with mayhem, torture and death until they get a taste of the real thing. Bitten by a wild animal, Ginger begins to mature into a sexy, uncontrolled woman, with some nasty canine tendencied.Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exp! loitation (blood, bodies, sex, smart dialogue, and good old-fa! shioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialo! gue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Murray Old Fashioned Gingersnaps take you back to days gone by. They remind you of a time when wheelbarrow races and skipping stones were the order of the day. This tasty, crispy, authentic ginger cookie is the perfect refreshment with an ice-cold glass of milk.

Certified Frustration-Free Packaging
Amazon.com has certified this product's packaging is Frustration-Free. A Frustration-Free Package is ea! sy-to-open and comes without excess packaging materials such a! s hard p lastic "clamshell" casings, plastic bindings, and wire ties. It is exactly the same as a traditionally packaged product--we've just streamlined the packaging to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging during shipping. Products with Frustration-Free Packaging can frequently be shipped in their own boxes, without the need for an additional shipping box. Learn more.

Fred Claus

  • This is a story you?ve never heard before, a hilarious and heartwarming comedy about Fred Claus, Santa?s brother ? and complete opposite. After growing up in saintly Nick?s shadow, Fred becomes a grouch who?s lost his belief in Christmas. Then, one magical December, Fred flies north (first via reindeer) to find brother Nick is in trouble: a scheming efficiency expert is out to shut down Christmas


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 116 minutes
Vince Vaughn is enormously enjoyable as the titular Fred Claus, disgruntled older brother of the better-known St. Nicholas himself, i.e., the North Pole’s very own Santa (Paul Giamatti). A garrulous hustler running from the emotional fallout of the ultimate sibling rivalry, poor Fred keeps trying to find happiness through one failed scheme after another, pushing away the people! who care about him most. When brother Santa puts the squeeze on him to help out in the toy factory atop the world, Fred turns the place into one big, raucous party. Unfortunately, he’s unaware that Santa and Mrs. Claus (Miranda Richardson) are under tight scrutiny from an oversight committee (represented by a calculating Kevin Spacey) and could be shut down. The film, directed by David Dobkin (Wedding Crashers), gleams and twinkles the way a holiday movie should, and has plenty of fun material for youngsters, including a wacky chase scene in which Fred goes on the run from a half-dozen, angry Salvation Army Santas. But Fred Claus is also supposed to appeal to hip adults with a taste for ironic farce, and on that score the movie feels like a succession of Saturday Night Live skits more than an organic whole. Still, Vaughn holds everything together with a smart, insightful performance that looks deep into his character’s torment--with more than a few! laughs. --Tom Keogh

Clash of the Titans [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled
In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

Gracie

  • Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer. on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the so
Meet Gracie Bowen, she's your average, ordinary 15-year-old girl, except for one thing: she's determined to play varsity soccer... on the boys' team! But when her school forbids her to play and even her family questions her ability, Gracie sets out on extraordinary quest to prove them all wrong. Fighting to change the school's policy and facing off against some of the toughest competitors on the soccer field, Gracie must summon all of her strength and courage, to finally show the world that a girl wi! th a dream can do absolutely anything!

DVD Features:
Audio Commentary
Featurette
Theatrical Trailer

Both on-screen and off, Gracie is an inspiring family affair that turns real-life tragedy into a spirited tale of fortitude. With former Melrose Place star Andrew Shue serving as producer and playing a supporting role, and his actress sister Elisabeth Shue (Leaving Las Vegas) in a supporting role, this modest, $10 million independent production was directed by Elisabeth Shue's husband, TV veteran Davis Guggenheim (director of Al Gore's global-warming documentary An Inconvenient Truth), and loosely inspired by the death of the Shues' brother, Will. Elisabeth Shue's successful late-1970s campaign to replace her late brother on his high school soccer team serves as the basis for this appealing, no-frills drama about Gracie Bowen (Carly Schroeder), an athletic New Jersey teenager whose soccer-star brother i! s killed in a car accident. Against the wishes of her initiall! y unsupp ortive parents (Dermot Mulroney, Elisabeth Shue), she pays tribute to her brother by pursuing his place on her high school's boy's soccer team. The year is 1978 (with Boston's "Don't Look Back" and other '70s hits on the soundtrack), and girls' soccer doesn't yet exist in American high schools, but Gracie's determination pays off, and without attempting to reinvent the wheel, Gracie emerges as a satisfying, emotionally authentic story of personal perseverance. In a role that all teenage girls will relate to, Schroeder (a seasoned child-star veteran of soap operas and sitcoms) gives a quietly forceful performance that's sure to boost her Hollywood profile, and the fine supporting cast and a sensibly-written screenplay keep Gracie from becoming the maudlin tear-jerker it might have been. Gracie isn't a great film by any means, but for all its familial heart and soul, it deserves to be called a winner. --Jeff Shannon

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