Blue Collar Comedy Tour Rides Again

• TESTED

For the first time ever, all three Blue Collar Comedy Tour movies are available to own in one complete set!Join hilarious comedians Jeff Foxworthy, Larry the Cable Guy, Bill Engvall and Ron White for another round of side-splitting humor. In addition to their trademark blue collar humor, witness what the guys are like offstage as the cameras give a glimpse at what life is like on a tour bus with the celebrated comedians.The redneck quartet from the original Blue Collar Comedy Tour re-groups for another night of laughs, with (mostly) fresh material performed for an upbeat audience. A funny, clubby preface on a tour bus establishes a tone of lowbrow camaraderie among Jeff Foxworthy, Larry the Cable Guy, Ron White, and Bill Engvall, but once on stage, the differences between each comic's style is considerable. Amiable Engvall kicks things off with gentle gibes: "Men are basic: eati! ng, sleeping, sex. I can do all those in my truck." The decadent air of Ron White darkens the show: "If I'd known the difference between 'antidote' and 'anecdote,' my friend would still be alive today." Foxworthy, the likable Everyman, comments on his wife's hypochondria: "Honey, you do not have testicular cancer." Finally, Larry the Cable Guy lowers the bar on sick-hick humor but does score occasionally: "I got a vasectomy at Sears. When I get excited, the garage door opens." --Tom Keogh

Read more »

Full Grown Men

• FULL GROWN MEN (DVD MOVIE)

Alby Cutrera (Matt McGrath) is
a pathologically nostalgic guy who yearns for a time when life was care-free and action figures were 12-inches tall. When his wife kicks him out for being more of a playmate than a father to his young son, Alby tracks down his boyhood
pal Elias (Judah Friedlander - 30 Rock) for a trip down memory lane.
Only Elias s version of their younger days is considerably less rosy.
In a twist of fate, Alby and Elias set out on a comedic road trip to Diggityland, their favorite place as kids, but simpler times turn complicated as the two friends confront the landmines of their past. Journeying through the timeless back roads of Florida, they encounter a cast of crazy characters a disgruntled ex-theme park employee (Alan Cumming - X-Men 2, The L Word), a horny bartending clown (Amy Sedaris - Strangers with Candy), and a delusional m! ermaid (Rock Icon Deborah Harry) each one shedding light on the perils of not letting go. Full Grown Men is the bittersweet tale of a man who learns the hard way that
the best years of his life may still lay ahead.

Read more »

Charlie Rocket Boys 2-7 Pirate Ship Rash Guard Shirt, Navy, 5

• Made in USA
• Pre-Washed

Read more »

Beverly Hills Chihuahua

• Get ready for a hilarious fun-filled adventure starring Chloe (voiced by Drew Barrymore), a diamond-clad ultra-pampered Beverly Hills Chihuahua who gets lost while on vacation in Mexico. Papi (voiced by George Lopez), an amusing Chihuahua who's crazy about Chloe, springs into action and heads south of the border to rescue her, while Chloe gets help from Delgado (voiced by Andy Garcia), her newfoun

Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What began as! a crusade to save one dog becomes a high stakes adventure as everyone around them starts to wonder- who let the dogs in?HOTEL FOR DOGS - DVD MovieHOTEL FOR DOGS - Blu-Ray MovieEveryone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Even though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch ! care and constant entertainment for all the dogs (as well as a! multitu de of laughs from the audience). Unfortunately, Bruce's and Andi's devotion to the dogs eventually causes them to pass up what may be their last chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land them in separate group homes. Can social worker Bernie (Don Cheadle) somehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)

!

Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What began as a crusade to save one dog becomes a high stakes adventure as everyone around them ! starts to wonder- who let the dogs in? Rex, Hollywood's top K-9 star, gets lost and is reluctantly adopted by a young boy. His father, fire chief of a rundown station agrees to the adoption only if his defiant son takes care of the K-9. Little do they realize Rexx will not only bring them closer but also bring some much-needed faith back to the fire station.

Adolescence is an emotionally stormy time for kids, but it's especially so for Shane (Josh Hutcherson), a teenager being raised by single firefighter father Connor (Bruce Greenwood). Add the recent death of Shane's fire-captain uncle (Connor's brother) in the line of duty and the pending closure of their neighborhood "Dogpatch" fire station, and both Shane's propensity for skipping school and brooding in his room and his father's obsession with work seem easily explainable. When a mutt called Dewey, really a very spoiled superstar dog named Rexxx who's been presumed dead after a parachuting stunt gone wrong, turns up ! in a burning building and is rescued by the Dogpatch crew, Con! nor puts Shane in charge of caring for the dog and finding its owner. Shane and Dewey clash immediately and Shane is extremely resentful toward both the dog and his father. However, Dewey's special talents (like skateboarding and trampoline jumping), combined with his good fire-fighting instincts, soon win the admiration and affection of Shane and the entire Dogpatch crew. A series of mysterious fires causes Shane and Connor to begin to really communicate and reconnect, but those fires also threaten their very lives. At the same time, Dewey's former owner discovers Dewey's true identity and demands the return of his superstar companion. An engaging dog story that explores the difficulties of growing up and dealing with personal tragedy, Firehouse Dog is a fun family film that's rated PG due to some mildly crude humor (think potty jokes), language, and action peril. --Tami Horiuchi

Firehouse Dog Extras

Watch the firemen of Firehouse Dog take you behind the scenes in this exclusive clip.

Beyond Firehouse Dog

Kids & Family Animal Films

Firehouse Dog (Paperback)

Movies for Tweens

Stills from Firehous! e Dog

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 91 minutes

Read more »

Freakonomics: A Rogue Economist Explores the Hidden Side of Everything (P.S.)

• Freakonomics
• Economist
• Everything

Which is more dangerous, a gun or a swimming pool?

What do schoolteachers and sumo wrestlers have in common?

How much do parents really matter?

These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He studies the riddles of everyday lifeâ€"from cheating and crime to parenting and sportsâ€"and reaches conclusions that turn conventional wisdom on its head.

Freakonomics is a groundbreaking collaboration between Levitt and Stephen J. Dubner, an award-winning author and journalist. They set out to explore the inner workings of a crack gang, the truth about real estate agents, the secrets of the Ku Klux Klan, and much more.

Through forceful storytelling and wry insight, they show that economics is, at root, th! e study of incentivesâ€"how people get what they want or need, especially when other people want or need the same thing.

Economics is not widely considered to be one of the sexier sciences. The annual Nobel Prize winner in that field never receives as much publicity as his or her compatriots in peace, literature, or physics. But if such slights are based on the notion that economics is dull, or that economists are concerned only with finance itself, Steven D. Levitt will change some minds. In Freakonomics (written with Stephen J. Dubner), Levitt argues that many apparent mysteries of everyday life don't need to be so mysterious: they could be illuminated and made even more fascinating by asking the right questions and drawing connections. For example, Levitt traces the drop in violent crime rates to a drop in violent criminals and, digging further, to the Roe v. Wade decision that preempted the existence of some people who would be born to poverty and hardship. El! sewhere, by analyzing data gathered from inner-city Chicago dr! ug-deali ng gangs, Levitt outlines a corporate structure much like McDonald's, where the top bosses make great money while scores of underlings make something below minimum wage. And in a section that may alarm or relieve worried parents, Levitt argues that parenting methods don't really matter much and that a backyard swimming pool is much more dangerous than a gun. These enlightening chapters are separated by effusive passages from Dubner's 2003 profile of Levitt in The New York Times Magazine, which led to the book being written. In a book filled with bold logic, such back-patting veers Freakonomics, however briefly, away from what Levitt actually has to say. Although maybe there's a good economic reason for that too, and we're just not getting it yet. --John Moe

Read more »

Biore Hard Day's Night Overnight Moisturizer - 1.7 oz

• Hard Day's Night Overnight Moisturizer
• Hydrate And Strenghten
• Alleviate Dryness And Dullness
• Botanamide Technology And Vitamin E.

In 1964, the Beatles had just recently exploded onto the American scene with their debut on "The Ed Sullivan Show." The group's first feature, the Academy Award-nominated "A Hard Day's Night," offered fans their first peek into a day in the life of the Beatles and served to establish the Fab Four on the silver screen, as well as to inspire the music video format. Songs: I'll Cry Instead, A Hard Day's Night, I Should've Known Better, Can't Buy Me Love, If I Fell, And I Love Her, I'm Happy Just to Dance with You, Ringo's Theme (This Boy), Tell Me Why, Don't Bother Me, I Wanna Be Your Man, All My Lovin', She Loves You.The Fab Four from Liverpool--John Lennon, Paul McCartney, George Harrison, and Ringo Starr--in their first movie. Nobody expecte! d A Hard Day's Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world--even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it "not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time"). Wisely, screenwriter Alun Owen based his script on the Beatles' actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air. Some of the songs are straightforwardly presented, but others ("Can't Buy Me Love," set to t! he foursome gamboling around an empty field) soar with ingenui! ty. Abov e all, the Beatles express their irresistible personalities: droll, deadpan, infectiously cheeky. Better examples of pure cinematic joy are few and far between. --Robert HortonHydrates and strengthens all night to alleviate dryness and dullness- with Botanamide technology and Vitamin E

Read more »

Art School Confidential (2005) DVD Widescreen

• DVD
• Widescreen
• Subtitled English, French, Spanish, Portuguese, Chinese
• Dolby Digital

"Art School Confidential" follows talented young artist Jerome Platz (Max Minghella) as he escapes from high school to a tiny East Coast art school. Here the boyish freshman's ambition is to become the world's greatest artist, like his hero Picasso. Unfortunately, the beauty and craft of Jerome's portraiture are not appreciated in an anything-goes art class. Neither his harsh judgments of his classmates' efforts nor his later attempts to create pseudo-art of his own win him any admirers. But Jerome does attract the attentions of his dream girl, the stunning and sophisticated Audrey (Sophia Myles), an artist's model and daughter of a celebrated artist. Rejecting the affectations of the local art scene, Audrey is drawn to Jerome's sincerity. When Audrey shifts her attention to Jonah (M! att Keeslar), a hunky painter who becomes the school's latest art star, Jerome is heartbroken. Desperate, he concocts a risky plan to make a name for himself and win her back.Bitter, misanthropic, yet sometimes blisteringly funny, Art School Confidential is not a movie for everyone. Jerome (Max Minghella, Bee Season) goes to art school in the hopes of having his genuine ability recognized and cherished--but instead, finds his teachers to be self-obsessed has-beens, his peers jaded and floundering, and himself being investigated for a series of gruesome stranglings. He becomes obsessed with a lovely student named Audrey (Sophia Myles, Tristan and Isolde), but she's more interested in hunky Jonah (Matt Keeslar, Splendor), whose crude yet acclaimed paintings of cars and tanks make Jerome want to tear his own eyes out. The crime-thriller plot of Art School Confidential, however, is merely a contrivance to string together a series of caustic di! gs at the shallow, narcissistic, talentless hacks who go to ar! t school in the vain hope of achieving fame, wealth, and sexual abundance with little or no effort. For most viewers, who want to think that people are largely well-intentioned and decent, this will seem snide and cruel; but for some viewers, who believe people are foolish and blinkered, Art School Confidential will seem like an oasis in the arid desert of lies and propaganda about the good side of human nature. If this is your movie, you know who you are, and I encourage you to seek it out as soon as possible. Directed by Terry Zwigoff (Bad Santa) and based on the work of cartoonist Dan Clowes; their previous collaboration was the much warmer Ghost World. Also featuring sharp turns from John Malkovich (Being John Malkovich), Anjelica Huston (Prizzi's Honor), and Jim Broadbent (Moulin Rouge!). --Bret Fetzer

Read more »

David Jones Fur Satchel Handbag (Brown)

• Handle drop: 3". Body of bag: 12.5" L x 12" H x 3" W.
• Made from textured leatherette with brass-tone hardware and faux fur trim.
• Back zip wall pocket for easy access. Single carrying handle and detachable shoulder strap.
• Turn lock closure. Roomy fully lined double fabric compartment separated by a zip top pocket.
• Interior zip wall pocket, cell and sunglass slip pouches.

Made from textured leatherette with brass-tone hardware and faux fur trim. Back zip wall pocket for easy access. Single carrying handle and detachable shoulder strap. Turn lock closure. Roomy fully lined double fabric compartment separated by a zip top pocket. Interior zip wall pocket, cell and sunglass slip pouches. Handle drop: 3". Body of bag: 12.5" L x 12" H x 3" W. BEFORE PURCHASING, PLEASE COMPARE THE SIZE OF THIS HANDBAG TO ONE OF YOUR OWN FAVORITE BAGS.

Read more »

Explicit Ills - Blu Ray [Blu-ray]

• EXPLICIT ILLS BLU-RAY (BLU-RAY DISC)

In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.

Read more »

The Darkness

• Use manifestations of the Darkness to devour, impale or implode your enemies
• Summon and command an army of Darklings - impish and hilarious demonites that commit unspeakable acts
• Use the absence of light strategically - shadows feed the Darkness so seek the shadows wherever possible
• Fight your way through the dark and seedy underbelly of New York City, as well as theethereal realm of the Darkness
• Play as Darklings in online multiplayer games

The Darkness PS3On his 21st birthday, the awesome and terrible powers of the Darkness awaken within Jackie Estacado, a mafia hitman for the Franchetti crime family. With his new powers, Jackie is able to wreak terrifying havoc on his enemies. Jackie must learn to fully command the Darkness so he can take back control of the Franchetti family, which is ruled by his uncle Paulie, a despicable man who is almost universally des! pised.

Read more »

(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 24.00 by 36.00 inches (60.96 by 91.44 cms)

Ever since homicidal maniac Jason Voorhees got trapped in chains at the bottom of Crystal Lake, the nearby summer camp has operated without a hitch . . . without a murder. But one of this season's happy campers has brought along a deadly secret.

Tina Shepherd can see the future and levitate objects. Her doctor knows just how dangerous telekinesis can be, but he's out to exploit her, not help her. And now it's too late. Tina has accidentally unchained Jason from his watery grave, and the bloodbath is underway.

Tina's special powers are her only hope for survival. But what chance does a teenage girl have against an axe-wielding maniac?A philosophical quandary: when we tru! ly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonFriday the 13th
The film takes place years after a young boy named Jason drowns! in a lake while attending Camp Crystal Lake and shortly there! after, t he camp closes. Flash forward to the present, where the owner decides to re-open the camp and one by one, the counselors have mysteriously been murdered by an unseen person.

Friday the 13th, Part 2
The second installment picks up with Jason Voorhees, presumed dead from drowning years ago, exacting revenge on the innocent campers at "Camp Blood." Living as a hermit in the woods all these years, Jason witnesses the graphic murder of his mother and decides to wreak havoc on everyone at the camp - killing each camp counselor one by one.

Friday the 13th, Part 3
Vacationing teenagers take off for a weekend of relaxation at Camp Crystal Lake. Planning a few days of sex, drugs and rock-and-roll, they are in for a series of frightening surprises when a local motorcycle gang follows the teenagers back to their campsite, only to find a persistent Jason with an agenda of his own. Adorned with his trad! emark hockey mask for the first time in the series, Jason delivers non-stop chills and thrills as everyone on the lake must fight for their lives. Part III includes cast commentary by author Peter Bracke and actors Larry Zerner, Paul Kratka, Dana Kimmell and Richard Brooker.

Friday the 13th, Part IV: The Final Chapter
Jason resurfaces from a seemingly deadly massacre and returns to Camp Crystal Lake to a new set of prey. Starring a young Corey Feldman as Tommy Jarvis, it seems Jason has finally met his match in the 12-year old horror movie maven. Enlisting the help of a local hunter, Tommy and his sister must rely on one another to help defeat Jason, while also trying to avoid their own demise.

Friday the 13th, Part V: A New Beginning
With Jason dead, someone new has begun a killing spree of their own, using Jason's M.O. and preying on inhabitants of a sanctuary.

F! riday the 13th, Part VI: Jason Lives
Tommy ! returns to the grave to ensure that Jason is indeed dead. Instead of remaining dead, Jason is accidentally brought back to life by Tommy and now Tommy must stop all the mindless killing and make sure Jason dies for good this time. Part VI features commentary by director Tom McLoughlin.

Friday the 13th, Part VII: The New Blood
The film centers on Tina Shepard, a young girl with telekinetic powers who believes she drowned her father in Crystal Lake. Returning to the site as a method of supposedly helping her cope with her grief, Tina accidentally frees Jason from his watery grave, only to lead to more killing sprees by the man in the infamous hockey mask. Part VII features commentary by Kane Hodder and director John Carl Buechler and Part VIII features commentary by director Tom McLoughlin.

Friday the 13th, Part VIII: Jason Takes Manhattan
A graduating class of a local high school vacation on a cruis! e ship and unbeknownst to them, Jason is a stowaway on the same ship. Slowly killing students one at a time, Jason eventually sinks the boat, stranding the few lone survivors in Manhattan. Among those survivors, is Rennie, who believes Jason attempted to drown her as a child. Fighting for her their lives, Rennie and the other survivors must make sure Jason dies once and for all.

A featurette "Tales From the Cutting Room," in which exclusive deleted scenes and footage is revealed for the first time. An 8-part featurette "The Friday The 13th Chronicles," which looks at the legacy of the films throughout their history, featuring cast and crew commenting on each film and why they appeal to audiences. Includes Adrienne King, Amy Steel, Corey Feldman, Kane Hodder, Lar Park Lincoln, Betsy Palmer, Tom Savini and directors Sean Cunningham, Tom McLoughlin, Rob Heddon, Joseph Zito and John Carl Buechler. A 3-part featurette "Secrets Galore Behind The Gore," which looks at ! the work of master make-up effects designer Tom Savini in Part! 1 and P art IV and John Carl Buechler in Part VII. Includes rare and never-before-seen footage, drawings and stills illustrating the make-up techniques used to create Jason and achieve elaborate death scenes. A featurette "Crystal Lake Victims Tell All!" in which cast and crew from various films share amusing anecdotes. Includes Corey Feldman, Larry Zerner, Adrienne King, Amy Steel, Lar Park Lincoln and directors. A featurette "Friday Artifacts and Collectibles," which looks at props and collectables from the films. The theatrical trailers from all 8 movies except Part VI, which is represented by the teaser trailer.Five discs gather the first eight movies in the Friday the 13th series, plus a batch of behind-the-scenes featurettes. You can track the rise, fall, and endless resurrections of Jason Voorhees, from the original 1980 film to Jason's self-kidding trip to the Big Apple. Horror fans eat up packages such as this, but there's something odd about the deluxe treatment for! a series that spotlighted atrocious acting, pitiful production values, and inane storytelling.

You'll spot a few future "name" actors in various installments: Kevin Bacon is morbidly dispatched in the first one. But in general, the dominant focus is how to kill horny teenagers, most of whom have gathered at Camp Crystal Lake in the misguided belief that the curse of the impossible-to-kill Jason has worn off. The first movie has a certain raw, crummy ability to shock, Part 2 is a dismal retread, and Part 3 actually features interesting use of 3-D, which doesn't translate to its flat DVD version. The fourth is boldly subtitled The Final Chapter, and we all know where that went, but it does have Crispin Glover doing a funky dance. A New Beginning and Jason Lives continue Jason's bad mood, maybe because the hockey mask doesn't fit right. The seventh chapter, The New Blood, stakes Jason against a worthy opponent (Crystal Lake's ! answer to telekinetic Carrie), but the result is the same. Par! t 8's su btitle, Jason Takes Manhattan, is wittier than the movie itself, as Jason menaces an unlucky cruise ship of high-schoolers bound for New York--where Mr. J fits right in.

Some of the films come with commentaries from directors or cast members, including heralded Jason performer Kane Hodder. Brief documentaries (ranging from five to 15 minutes) cover separate installments with amusing anecdotes, including interviews with Sean S. Cunningham, Tom Savini, and various actors. In another doc, actors speak of the fraternity of young actors who've been slaughtered by Jason over the years. A deleted-scenes section is skimpy and not very interesting, while the tricks of special-effects gore merit a film to themselves. It's a customer-savvy DVD box, even if the effect of watching a bunch of this stuff together is a little dispiriting. --Robert HortonWhat chance does a teenage girl have against a maniacal maniac with a machete? Pack your bags and return to Crystal Lak! e to find out for yourself . . . if you dare! In Friday the 13th Part VII: The New Blood - Deluxe Edition, young Tina Shepard possesses the gift of telekinesis, allowing her to move things and see the future, using the power of her mind. But when a devious doctor tries to exploit her ability, the gift becomes a hellish curse. Tina unwittingly unchains the merciless, bloodthirsty Jason Voorhees from his watery grave, igniting a bloodbath that ends in the ultimate showdown in strength of mind versus pure evil matter. Experience the legacy of unrelenting terror that never dies!

Special Features: Killer Commentary by director John Carl Buechler and actors Lar Park Lincoln and Kane Hodder
Jason's Destroyer: The Making of Friday the 13th Part VII - The New Blood
Mind Over Matter: The Truth about Telekinesis
Slashed Scenes Intro
Slashed Scenes
Makeover by Maddy: Need a Little Touch-Up Work, My A**A philosophical quandary: ! when we truly get a glimpse behind the mask, do we like what w! e see? T his eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonA philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Fri! day the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert Horton(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

Read more »

Asylum

• When Dr. Martin (Robert Powell) arrives at the Dunmoor Asylum for The Incurably Insane, he expects to be interviewed for a job by the asylum s director, Dr. Starr. Instead, he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr has suffered a mental breakdown and is now one of the patients. Dr. Rutherford states that if Martin can deduce which patient is Dr. Starr, then he will b

Tucked away in Sofie’s wintery asylum with no hope of release for years, Evangeline must come to terms with her situation: the curse still plagues her, she’s now hunted by a two thousand-year-old vampire, and the guy she’s in love with tried to kill her. Plus, she’s locked up with a cranky Max and the Forero kidsâ€"two people everyone seems to prefer dead over alive. Things aren’t looking good.

Meanwhile, back in Manhattan, Sofie struggles to keep forty trapped and bloodthirsty ! Ratheus vampires at bay and a desperate Viggo from killing Evangeline’s friends, all while hints stir outside the walls of the NYC vampire asylum of a war brewing between the Sentinel and the witches.

Is there any hope for Evangeline and Caden? Can Sofie control the rival powers? Is the fate of Earth predestined? Find out in Book 2 of the Causal Enchantment series, a sequel to ANATHEMA.Tucked away in Sofie’s wintery asylum with no hope of release for years, Evangeline must come to terms with her situation: the curse still plagues her, she’s now hunted by a two thousand-year-old vampire, and the guy she’s in love with tried to kill her. Plus, she’s locked up with a cranky Max and the Forero kidsâ€"two people everyone seems to prefer dead over alive. Things aren’t looking good.

Meanwhile, back in Manhattan, Sofie struggles to keep forty trapped and bloodthirsty Ratheus vampires at bay and a desperate Viggo from killing Evangeline’s friends, al! l while hints stir outside the walls of the NYC vampire asylum! of a wa r brewing between the Sentinel and the witches.

Is there any hope for Evangeline and Caden? Can Sofie control the rival powers? Is the fate of Earth predestined? Find out in Book 2 of the Causal Enchantment series, a sequel to ANATHEMA.
Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends.

Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developing relationship with campus hockey hero and floor RA, Seth Maird, trying to be the voice of moderation for Sam, and her new position as teacher's assistant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her! .

But the voices return...and this time, she's not the only one that can hear them.

The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?
Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends.

Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developing relationship with campus hockey hero and floor RA, Seth Maird, trying to be t! he voice of moderation for Sam, and her new position as teache! r's assi stant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her.

But the voices return...and this time, she's not the only one that can hear them.

The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?Across the country, hidden in plain sight, are the forgotten remains of a once-great psychiatric movement: the asylum. These crumbling castles all share a common appearance and history. They inspire curiosity, fear, and even a few urban legends. Chloe Adams came to Birch Harbor, a small college town in the U.P., to escape the stigma of mental illness. Her new roommate Sam Klingeman, came to drink her weight in vodka and find a hot guy with a trust fund. Between Chloe's developin! g relationship with campus hockey hero and floor RA, Seth Maird, trying to be the voice of moderation for Sam, and her new position as teacher's assistant for the eccentric Dr. Willard, she's stayed busy enough to keep the past firmly behind her. But the voices return...and this time, she's not the only one that can hear them. The beautiful old dormitory she lives in is hiding a secret. A secret that will uncover a dark plot 200 years in the making. Will Chloe be able to hold onto the new life she's worked so hard to build, will she relapse into a world of her own making, or will she, perhaps, fulfill the legacy she was born into?

Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.

Broadmoor Revealed gives the reader a glimpse behind the walls of England’s first Criminal Lunatic Asylum.

Focused on the Victorian period, the book tells the stories of some of the hospital’! s best-known patients. There is Edward Oxford, who shot at Que! en Victo ria, and Richard Dadd, the brilliant artist and murderer of his father. There is also William Chester Minor, the surgeon from America who killed a stranger in London, and then played a key part in creating the world's finest dictionary. Finally, there is Christiana Edmunds, ‘The Chocolate Cream Poisoner’ and frustrated lover.

To these four tales are added new ones, previously unknown. There were five women who went on to become mothers in Broadmoor, giving birth to life when three of them had previously taken it. Then there were the numerous escapes, actual and attempted, as the first doctors tried to assert control over their residents.

These are stories from the edge of where true crime meets mental illness. Broadmoor Revealed recounts what life was like for the criminally insane, over one hundred years ago.
Broadmoor Revealed gives the reader a glimpse behind the walls of England’s first Criminal Lunatic Asylum.

Focused on the Victo! rian period, the book tells the stories of some of the hospital’s best-known patients. There is Edward Oxford, who shot at Queen Victoria, and Richard Dadd, the brilliant artist and murderer of his father. There is also William Chester Minor, the surgeon from America who killed a stranger in London, and then played a key part in creating the world's finest dictionary. Finally, there is Christiana Edmunds, ‘The Chocolate Cream Poisoner’ and frustrated lover.

To these four tales are added new ones, previously unknown. There were five women who went on to become mothers in Broadmoor, giving birth to life when three of them had previously taken it. Then there were the numerous escapes, actual and attempted, as the first doctors tried to assert control over their residents.

These are stories from the edge of where true crime meets mental illness. Broadmoor Revealed recounts what life was like for the criminally insane, over one hundred years ago.
When Dr. ! Martin (Robert Powell) arrives at the Dunsmoor Asylum for the ! incurabl y insane, he expects to be interviewed by asylum director Dr. Starr. Instead he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr had suffered a mental breakdown and now is one of the patients. Dr. Rutherford decides that if Martin can deduce which one is really Dr. Starr, then he will be given the position. Is it Bonnie (Barbara Parkins), whose affair with a married man turns murderous? Is it Bruno (Barry Morse), a hardluck tailor visited by a mysterious stranger (Peter Cushing) with a blueprint and very special fabric for an unusual suit? Is it Barbara (Charlotte Rampling), accused of murdering her brother and her nurse but insisting that her friend Lucy (Britt Ekland) was responsible; Or is it Dr. Byron (Herbert Lom) who claims the ability to transfer collecting.One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stor! ies. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highlighted by dismembered body parts neatly wrapped in butcher paper wriggling back to life for revenge), but Charlotte Rampling and Britt Eklund are marvelous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer will power.

Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cus! hing), and ultimately Baker makes that gloomy look work for hi! s increa singly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker

Read more »

Arthur/Arthur 2: On the Rocks

• Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath.

Russell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig! ), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a high-concept Hollywood pitch, remaking the charming Dudley Moore 1981 comic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Rick! y Gervais. But something happened in the 30-year translation t! hat has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand playing another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting fath! er at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drin! king is treated as a genuine problem in this update, which als! o provid es comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, pe! rpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonDudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune…and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award® (1981's B! est Supporting Actor) as Arthur's acerbic valet. "I'll alert t! he media ," he says when Arthur announces his intention to take a bath. The title tune also won Oscar® gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel Arthur 2 on the Rocks. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune?and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award? (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath. The title tune also won Oscar? gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!

Read more »

Glory Road (Widescreen Edition)

• Very Black

COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser hold! s together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry! ).--Steve WieckingCOACH CARTER tells the inspiring true! story o f controversial high school basketball coach Ken Carter (Jackson). Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average. When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point. This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players. Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes li! ke, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing, adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingAcademy Award nominee Samuel L. Jackson stars in the inspiring true story of controversial high school basketball c! oach Ken Carter, who benched his entire undefeated team for po! or acade mic performance, in order to teach his players the importance of education.Based on a true story of the man who locked his boys out of the gym until they focused on their schoolwork, this by-the-numbers crowd-pleaser holds together because a steely Samuel L. Jackson refuses to notice the parade of clichés he's trumpeting (the dialogue sticks to platitudes like, "Success in here is the key to success out there"). Coach Ken Carter (Jackson) takes over an unruly team of Richmond, California basketball players and teaches them how to play--and behave--like champions. His plight, which pits him against an uncooperative school board and parents who've given up hope, holds some interest, but the film is too concerned with giving us a Big Game every twenty minutes or so. The teens all have the spark of life in them (including pop star Ashanti, who features in a surprisingly well-handled teen pregnancy subplot), though the film's plodding familiarity means it's never really rousing,! adding up to simply a good-natured amalgam of Stand and Deliver, Hoosiers, Dangerous Minds, and even Dead Poet's Society (one of the tougher players actually recites some inspirational poetry).--Steve WieckingThe studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves through the sport that follow the underdog Miners all the way to an epic showdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Gl! ory Road, an engaging sports movie that dramatizes a pivot! al miles tone in the racial integration of college athletics. While it may not be as rousing as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (un! der heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach Adolph Rupp, whose favored all-white team was no match for Texas Western, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

Read more »

Uncertainty

• UNCERTAINTY (DVD MOVIE)

Loud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, ta ttooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, immaculately groomed covert operative he played in Inception. But what's consistent in both performances and the thing that gives the übe! r-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious outbursts of brutality, aggression, and deep-seated emotional pain lying ju! st beneath everyone's surface. Hesher is the catalyst, and for! tunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-out ragamuffin who crosses paths with both T.J. and Hesher seems also to be trying to put a shine on her indie cred. Piper Laurie's turn as the ob! ese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryLoud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, tattooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, ! immaculately groomed covert operative he played in Inceptio! n. B ut what's consistent in both performances and the thing that gives the über-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious o! utbursts of brutality, aggression, and deep-seated emotional pain lying just beneath everyone's surface. Hesher is the catalyst, and fortunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-o! ut ragamuffin who crosses paths with both T.J. and Hesher seem! s also t o be trying to put a shine on her indie cred. Piper Laurie's turn as the obese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryThe Choice is Theirs

Every choice has a consequence. But what if the flip of a coin could trigger two separate but parallel destinies? Joseph Gordon-Levitt (500 DAYS OF SUMMER) and Lynn Collins (WOLVERINE) star as Bobby and Kate, a young New York couple at a crossroads whose lives are about to take very different heads/tails directions: A visit to Brooklyn leads them to gentle discoveries about family, loss and each other, while a day in Manhattan plunges them into an urban nightmare of pursuit, suspense and murder. Olivia Thirlby (JUNO) co-stars in this uniquely powerful thriller written, produced and directed by Scott McGehee and David Siegel, the award-winning filmmakers behind SUTURE, BEE SEASON and T! HE DEEP END.

Read more »

Multi Voice Changer by Toysmith: Change your voice with 10 different voice modifiers - Kids Toy (Colors May Vary)

• 10 different voice modifiers in one 6.5" voice changer
• Use the side levers to create hundred of combinations
• Features flashing LED lights
• Requires 1-9 Volt battery-INCLUDED
• Fun voice effects

This uniquely poignant and funny film focuses on the rekindling of a school relationship that has taken on a new twist."This book, the first in the Learning about sex series for girls, aids parents in the often difficult task of introducing and explaining human sexuality. The simple, age-appropriate text and pictures in this book teach girls ages 4 to 6 that the similariti"This multi voice changer is lots of fun for children, yes even for adults! Ten different voice modifiers in one 6.5 inch voice changer! Use the side levers to create even more variations. Features flashing LED lights. Requires one 9V battery, included. Comes in assorted colors, yours will be chosen at ran! dom from stock.

Read more »